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Tag Archives: Thomas Hardy
When near meets far
If there is a dimension in which time isn’t linear then one of the ways we gain access to this is, most certainly, through art. When we identify, and play, with solid themes through the various art mediums we have devised, there is a level at which it also feels as though new endings can be written and thrown back ‘in time’, co-collaborating with the artist in all the ways that their work continues to affect our present day reality. I am particularly fascinated by the way that film adaptations of old ‘classics’ (here, ‘Far From the Madding Crowd’, 2015) hold the potential to ripple information back and forth across the time between their creation and reinterpretation. This cross-pollination across time and space is one of many ways I like to regard inspiration as it wafts into my own creative process as both writer and artist. I am also repeatedly attracted to a genre of art photography that involves recolouring and tweaking vintage photographs to alter and capitalise on what they were originally ‘of’ and in a way that utterly transforms the subject, photoshopped to add colour and whimsical touches. This potential to ‘lighten up’ history is something that endlessly fascinates me, allowing the possibility that – at some level far beyond the logical – we are all (not only artists) just as capable of influencing the past in everything we do as we are, surely, creating the future. Continue reading →
Posted in Art, Art history, Art purpose, Art transformation tool, Consciousness & evolution, Culture, Divine feminine, Films, History, Life journey, Literature, Personal Development, Remembering, Symbolic journeys
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Tagged art collaboration across time, art reaches across time, collapsing time, evolutionary art, Far From the Madding Crowd, film adaptations of classics, Jane Long photography, lighten up history, multi-dimensional experience, photoshopped vintage photography, rings of an oak, The Hardy Tree, Thomas Hardy, timeless messages in art, tree symbolism, universal themes
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Layers in the landscape – part one
Why did these scraggy, age-worn manuscripts move me so much? Was it encountering them in the raw, feeling the art-process in the making, the immediacy and daring commitment of fleeting words dragged from the ether; words that were destined to be repeated and reprinted and quoted and revised to oblivion, made fixed as though made of stone and yet, in the moment they were created, they were still a variable, an impulse, a new-born potential, a risk, just as much as any brush-stroke I ever place? Continue reading →
Posted in Ancient sites, Art, Art purpose, Art technique, Consciousness & evolution, Divine feminine, History, Holiday destinations, Leylines, Life choices, Life journey, Menu, Symbolic journeys
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Tagged artistic freedom, Bach, Beatles, Boudicca, British Library, Brontë, censorship, Charles Dickens, creative freedom, creative purpose, Elizabeth Barrett Browning, energy hub, Frankenstein's monster, Hampstead Heath, Hardy Tree, inspiration, Jane Austen, leylines, literary manuscripts, mad woman in the attic, Mary Shelley, Mary Wollstonecraft, Midlands Railway Line, raw art, River Fleet, sacred feminine, sacred river, sacred site, sacred text, Sir John Soane, St Pancras Old Church, the risk of creation, Thomas Hardy, work in progress
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