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Tag Archives: multi-dimensional
Hats of to Roy
Our relationships with certain artists become like shining threads of meaning woven through the course of a lifetime. When we hook onto them, its like clipping ourselves onto the kind of ropes that are slung between climbers; you only need to know you are attached at the moments when something happens and you feel that connection tug oh-so meaningfully, often reassuringly, between you. They can be a saving grace you put there without even knowing why at the time. They also act like a spider’s web of understanding outside of time and place; threads flung hither and thither across the linear confusion and seemingly running their own course, outside of the three-dimensional, until suddenly they help you make sense of all of it. In winding your thread around the hook of them, the reminiscence of a song or other artwork that marked a place where you felt “that” too, you create a portal between parts of your own life that can be travelled at will, skipping the linear timelines that can make grasping the broader panoramas of your life a piecemeal and painstaking thing at ground level where the pavement has many cracks. Suddenly, you are on the top floor and confronted with the much bigger picture of it all, a view across the very rooftops of your life…and ropes slung across the landscape by all the music you’ve pegged to certain key points for all these many years. Continue reading
Posted in Art purpose, Consciousness & evolution, Divine feminine, divine masculine, Music & theatre, Symbolic journeys
Tagged 2016, 75th anniversary, folk, how music connects through time, live music review, multi-dimensional, relationship with music, review, Roy Harper, Royal Festival Hall, synchronicity
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Energy art for the new era
“The setting sun ignites a tree into a fiery red glow that cannot help but touch upon, and so influence, all of the surrounding foliage. Being grounded, the tree seems to draw light down deep into the Earth and sustains … Continue reading
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