The weather that delivered on the day of our long-planned visit to Charleston turned out to be nothing like what I had painted in my head; the sky was tipping water by the bucket-full. But then, of course, everything glistened; the fruit, especially, glistened as though freshly varnished and the petals hugged droplets of water like glass teardrops perfectly poised. We got to marvel at the way the bees knew how to line up with their backs to the wind and hang upside down beneath the flower heads – one on each bloom – until the rainshower was over. We got that kind of light that is clear and crisp, not washed-out and without subtlety as on a typical summer’s day. The velvet reds “zinged” and the greens looked like freshly squeezed life-zest personified; vibrant and rejuvenating to receive with all the senses. One of the gifts was the unexpected juxtaposition of a dripping-wet female form peeking out through vivid wet leaves and abundantly ripe fruit;her wet face had something to tell me and it was nothing at all about tears…”I sleep; I do not weep” were words that came boomeranging back at me later that same weekend in yet another stunning garden and the journey in between turned out to be a labyrinth of self-discovery through a landscape of universal themes. Continue reading →
Posted in Art, Art history, Art in the living space, Art purpose, Art technique, Artists, Consciousness & evolution, Divine feminine, History, Holiday destinations, Life journey, Literature, Menu, Personal Development, Photography, Symbolic journeys, Travel
Tagged Bloomsbury, Brighton, Charleston Farmhouse, Duncan Grant, everything is perfect, garden design, Harold Nicholson, homosexuality, labyrinth, Long Man of Wilmington, male and female, male and female collaboration, marriage, relationships, sacred feminine, serpent, Sissinghurst, St Michael & All Angels Church Berwick, telluric energy, Vanessa Bell, Vita Sackville West, yin and yang
It’s been the best part of two months now since my Bloomsbury pilgrimage (as referred to in my earlier post Fretwork and flamboyance – Brighton Royal Pavilion) and I am only just setting down what this meant to me, perhaps … Continue reading →
Posted in Architecture, Art, Art technique, Artists, Biography, Conservation, Craft & design, Culture, Exhibitions, Gardens & gardening, History, Literature, Travel
Tagged Berwick Church, Bloomsbury, Charleston, Duncan Grant, Neisha Crosland, post-impressionists, Romo, Vanessa Bell
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